Push Admin

10 important Filipino artworks you can only see at the National Museum

Article (news)

ANCX Staff

<p>We recently asked Ana Labrador to name for us 10 important artworks that can only be found in the National Museum of Fine Arts (NMFA). To name only 10 was a challenge, for sure, considering the wealth of Lunas and Amorsolos and other prized art housed in the museum’s different galleries. </p><p>Ana is the museum’s assistant director, as well as its chief curator and head of collections management. For this list, Labrador included works not only by National Artists but works by the country’s heroes as well, including those of lesser known but important masters. </p><div class="embed-wrap"><figure data-feedback="fb:likes,fb:comments"><img src="http://sa.kapamilya.com/absnews/abscbnnews/media/ancx/culture/2021/24/nmp-luna.jpg"/><figcaption>“Portrait of Laureana Novicio y Ancheta with the dedication ‘To my mother’” by Juan Luna</figcaption></figure></div><h3>1. “Portrait of Laureana Novicio y Ancheta with the dedication ‘To my mother’” 1897</h3><p>Artist: Juan Luna </p><p>Oil on canvas</p><p>National Fine Arts Collection</p><p>This oil painting is a tribute of Juan Luna to his mother, Doña Laureana Novicio y Ancheta, who sure all her children were well-educated and pursued their professions and passions. Juan Luna was third among her brood of seven sons. This work could be the only existing portrait of Doña Laureana rendered by the artist.</p><div class="embed-wrap"><figure data-feedback="fb:likes,fb:comments"><img src="http://sa.kapamilya.com/absnews/abscbnnews/media/ancx/culture/2021/24/nmp-hidalgo.jpg"/><figcaption>“El Gobernador Y El Obispo [Don Luis Perez Dasmariñas and Fray Domingo de Salazar],” by Felix Resurrección Hidalgo</figcaption></figure></div><h3>2. “El Gobernador Y El Obispo [Don Luis Perez Dasmariñas and Fray Domingo de Salazar],” 1896</h3><p>Artist: Felix Resurrección Hidalgo </p><p>Oil on canvas, National Fine Arts Collection </p><p>The oil painting is a metaphorical representation of an encounter between Don Gomez Perez Dasmariñas, the seventh Governor and Captain-General of the Philippines from 1590 to 1593, and Fray Domingo de Salazar, a Dominican Friar and first Bishop of Manila from 1581 to 1594. In the painting, the two were depicted deliberating about the dispatch of a military expedition to the fort at Ternate in the Moluccas (part of present-day Indonesia). This was President Manuel L. Quezon’s favorite painting in the Malacañan Palace before it was transferred to the National Museum of the Philippines.</p><div class="embed-wrap"><figure data-feedback="fb:likes,fb:comments"><img src="http://sa.kapamilya.com/absnews/abscbnnews/media/ancx/culture/2021/24/nmp-rizal.jpg"/><figcaption>“La Venganza Dela Madre (The Mother&#x27;s Revenge)” by Jose Rizal</figcaption></figure></div><h3>3. “La Venganza Dela Madre (The Mother&#x27;s Revenge),” 1894</h3><p>Artist: Jose Rizal </p><p>Terracotta, </p><p>National Fine Arts Collection</p><p>Located in the gallery dedicated to the National Hero, La Venganza de la Madre is a terracotta sculpture made by Rizal in 1894 while in exile in Dapitan, Zamboanga.  This sculpture depicts a mother dog rescuing her helpless pup from the attack of a crocodile. It is an allegorical representation of Filipino patriots (mother dog) saving the defenseless countrymen (the pup) from the exploitations of Spanish power (crocodile). This masterpiece by Rizal was declared a National Treasure in 2008.</p><div class="embed-wrap"><figure data-feedback="fb:likes,fb:comments"><img src="http://sa.kapamilya.com/absnews/abscbnnews/media/ancx/culture/2021/24/nmp-tolentino.jpg"/><figcaption>“Lualhati,” by Guillermo Tolentino</figcaption></figure></div><h3>4. “Lualhati,” Undated </h3><p>Artist: Guillermo Tolentino</p><p>Undated, Marble on granite pedestal, National Fine Arts Collection</p><p>Lualhati is a marble representation of the National Artist’s daughter when she was six years old. Lualhati is among Tolentino’s seven children with wife Paz Raymundo. Ms Lualhati Tolentino-Rodriguez now resides in Germany. This is the only sculpture of a family member made by the artist that’s in the museum collection.</p><div class="embed-wrap"><figure data-feedback="fb:likes,fb:comments"><img src="http://sa.kapamilya.com/absnews/abscbnnews/media/ancx/culture/2021/24/nmp-peralta.jpg"/><figcaption>“Portrait of Serapia N. Santos Y Aduna (1881-1829),” by Ramón Peralta Y Resurrección</figcaption></figure></div><h3>5. “Portrait of Serapia N. Santos Y Aduna (1881-1829),” 1932</h3><p>Artist: Ramón Peralta Y Resurrección</p><p>Foto-óleo on board, </p><p>National Fine Arts Collection</p><p>Completed three years after Serapia’s death, this life-size portrait is the only foto-óleo by Peralta in the National Fine Arts Collection. In the absence of color photography in the early 20th century, elite families opted to commission studio photographs with artists to hand-tint or paint their portraits to colorize it.  </p><div class="embed-wrap"><figure data-feedback="fb:likes,fb:comments"><img src="http://sa.kapamilya.com/absnews/abscbnnews/media/ancx/culture/2021/24/nmp-pilapil.jpg"/><figcaption>“Fiesta I and II” by Impy Pilapil</figcaption></figure></div><h3>6. “Fiesta I and II,” 2008</h3><p>Artist: Impy Pilapil</p><p>Mixed media</p><p>National Fine Arts Collection</p><p>Light sculptures Fiesta I and Fiesta II were commissioned for the Roxas Foyer (2nd floor lobby of the National Museum of Fine Arts) in 2008 but were brought down to the Sandiganbayan Reception Hall Gallery (Ground floor) in 2011 for viewers to appreciate them as light sculptures. The hammered metals in these sculptures represent the embossed metal pieces seen on the kalesa or the traditional horse-drawn carriages while the hanging glass were inspired from the colorful wrappers of pastillas or milk candies from Bulacan and other central Luzon provinces. Pilapil added mirrors, and shaped glass depicting waves and bubbles, representing the ocean which describes the Philippines as an archipelago. These are the only sculptural work of Pilapil in the museum collection.</p><div class="embed-wrap"><figure data-feedback="fb:likes,fb:comments"><img src="http://sa.kapamilya.com/absnews/abscbnnews/media/ancx/culture/2021/24/nmp-abueva.jpg"/><figcaption>&quot;Mother and Child&quot; by Napoleon Veloso Abueva</figcaption></figure></div><h3>7. “Mother and Child,” 1950</h3><p>Artist: Napoleon Veloso Abueva</p><p>Adobe (volcanic tuff)</p><p>National Fine Arts Collection</p><p>This piece was carved from one piece of adobe. Rendered in cubist form, it shows a female figure in a sitting position, admiring her infant while he clings on her head. We take pride in this sculpture as it is one of the few created in adobe by Napoleon V. Abueva who is known to many as the Father of Modern Philippine Sculpture.</p><div class="embed-wrap"><figure data-feedback="fb:likes,fb:comments"><img src="http://sa.kapamilya.com/absnews/abscbnnews/media/ancx/culture/2021/24/nmp-joya.jpg"/><figcaption>&quot;Hills of Nikko&quot; by Jose T. Joya</figcaption></figure></div><h3>8. “Hills of Nikko,” 1964</h3><p>Artist: Jose T. Joya</p><p>Oil on canvas</p><p>National Fine Arts Collection</p><p>The Hills of Nikko, is the artist’s interpretation of his creative experience during his visit in Nikko, Japan. This work depicts the hills during the summertime when the snow from winter has melted away and has exposed the hills’ imperfections. These imperfections are expressed through the artist’s bold and gestural brushwork which has been said to be an allegory to human imperfections. This can be considered as the finest of the nine paintings that the National Artist exhibited at the Venice Biennale of 1964, the Philippines’ first participation in the influential art event. Joya donated this artwork to the National Museum of the Philippines after his triumphant return from the Biennale.</p><div class="embed-wrap"><figure data-feedback="fb:likes,fb:comments"><img src="http://sa.kapamilya.com/absnews/abscbnnews/media/ancx/culture/2021/24/nmp-luz.jpg"/><figcaption>“Arrival and Departure” by Arturo Luz</figcaption></figure></div><h3>9. “Arrival and Departure,” 1980</h3><p>Artist: Arturo Luz</p><p>Mixed media (acrylic on burlap)</p><p>National Fine Arts Collection</p><p>Previously displayed on the east and west halls of the Manila International Airport Authority (MIAA), this acrylic works of art on burlap (thick piece of cloth from jute or hemp) is described by the artist himself as “the best work he has ever done” and was among the largest work he was able to create in this medium and style. “Arrival” and “Departure” were executed by tossing pieces of the burlap ‘as if in a ballet’ while his assistant stitched them together. In 2014, they were given as a gift to the Filipino people by the MIAA through the National Museum of the Philippines.</p><div class="embed-wrap"><figure data-feedback="fb:likes,fb:comments"><img src="http://sa.kapamilya.com/absnews/abscbnnews/media/ancx/culture/2021/24/nmp-saguil.jpg"/><figcaption>“Sa Pula, Sa Puti” by Nena Saguil</figcaption></figure></div><h3>10. “Sa Pula, Sa Puti,” 1949</h3><p>Artist: Nena Saguil </p><p>Oil on canvas</p><p>National Fine Arts Collection</p><p>Nena Saguil is one of the country’s pioneering female abstract artists. “Sa Pula, Sa Puti,” wherein two chickens, one in red and one in white, are depicted in a cockfight, can be considered one of her early works. This genre painting completed in 1949 was among the works she produced in this style before she shifted to abstraction.Photo by:  Bengy Toda III</p><div> </div><p>[The National Museum of Fine Arts is located at the National Museum of the Philippines. Rizal Park Complex, Padre Burgos Avenue, Manila, Philippines. For inquiries and more information, contact Museum Services Division at http://www.nationalmuseum.gov.ph or email them at nationalmuseumph@yahoo.com. Visit their Facebook account, National Museum of the Philippines and their official Twitter and Instagram accounts: natmuseumph. Contact (02) 8527 1218]</p>

<p>We asked Ana Labrador, Assistant Director of the National Museum of the Philippines, to draw up a list of 10 of the institution’s most prized works </p><p> </p><p> </p>

We asked Ana Labrador, Assistant Director of the National Museum of the Philippines, to draw up a list of 10 of the institution’s most prized works